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            <DIV align=3Dcenter><BR><A=20
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                <TD class=3Dtext_red vAlign=3Dtop =
width=3D423><BR><B><SPAN=20
                  class=3Dhead_title_sans>Art and Culture Programmes //=20
                  </SPAN><SPAN =
class=3Dhead_title_sans1>Films</SPAN></B></TD></TR>
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                <TD class=3Dtext_norm_black vAlign=3Dtop width=3D423><A =
class=3Dblack=20
                  =
href=3D"http://www.redhouse-sofia.org/engl/projects/a_performing.html">Pe=
rforming=20
                  arts</A> | <U>Visual arts</U> | <A class=3Dblack=20
                  =
href=3D"http://www.redhouse-sofia.org/engl/projects/a_films.html">Films</=
A>=20
                  | <A class=3Dblack=20
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                <TD class=3Dtext_norm_black vAlign=3Dtop =
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                  <P><SPAN class=3Dhead_title_sans1>CINEFANTOM 2=20
                  =
</SPAN><BR><BR><STRONG>Programme</STRONG><BR><BR><STRONG>Goddess:=20
                  How I Started Loving </STRONG><BR>Russia , 2004, 35 =
mm, 105=20
                  min <BR>Directed by Renata Litvinova <BR>Cast: Renata=20
                  Litvinova, Maksim Suhanov, Svetlana Svetlichnaja, =
Victor=20
                  Suhorukov, Konstantin Habenskiy, Ksenia Kachalina, =
Konstantin=20
                  Murzenko <BR>The examining magistrate Faina =
infestigates a=20
                  kidnapping. Clues, interrogation of eye-witnesses, =
inquest=20
                  experiments: Faina comes across weird birds turned =
into=20
                  instruments of Evil merely for all of them had =
strongly=20
                  loved... <BR>Faina starts asking herself: =93Can=92t =
it be that=20
                  love is the most precious? Then what about life =
itself?=94 and=20
                  settles her own answers: =93In fact life is not worth =
a dime.=94=20
                  People are dying and their death is accidental, and=20
                  foreordained because all of them had loved too =
vigorously...=20
                  <BR>=93Life is not worth a dime. Only love gives =
immortality.=94=20
                  Following the deaths of the others and thus passing by =
her own=20
                  life, Faina decides to take part in a strange =
experiment. She=20
                  enters the world of an antique mirror just like Jean =
Cocteau=92s=20
                  Orpheus did. To pass through the mirror one just has =
to dip=20
                  one=92s fingers in the cold amalgam of nothingness. =
And to come=20
                  back you have to prove your right to live. =
Everyone=92s=20
                  considered guilty until proven innocent. =93Only love =
could be=20
                  the exoneration.=94 <BR><BR><STRONG>=AB4=BB =
</STRONG><BR>Russia ,=20
                  2004, 35 mm, 126 min <BR>Directed by Iliya =
Hrzhanovskiy=20
                  <BR>Cast: Marina Vovchenko, Svetlana Vovchenko, Sergey =

                  Shnurov, Juriy Loguta, Leonod Feodorov, Aleksey =
Hvostenko=20
                  <BR>Wintry Moscow after midnight. Snow-drifts and ice, =
whining=20
                  dogs, and lost in the darkness of their own souls =
visitors of=20
                  the bars. A tradesman, a prostitute, and a piano =
stringer come=20
                  across and fancy imaginary lives. The prostitute is a =
business=20
                  lady, the tradesman =96 working for the President=92s=20
                  administration, and the piano stringer =96 genetic =
engineer.=20
                  <BR>The sleeping shadows at the corners of the bar =
listen to=20
                  his stories of clonings living in the country from the =
time of=20
                  Stalin, of four twins created in the science =
laboratories, and=20
                  of camps for the unsuccessful clonings. <BR>The night =
is=20
                  capable of listening to every lie. And in the morning =
the=20
                  three of them could not recognise their own lives. =
</P>
                  <P><STRONG>I Love You</STRONG> <BR>Russia, 2004, 35 =
mm, 83 min=20
                  <BR>Directed by Olga Stolpovskaya, Dimitriy Troitzkiy=20
                  <BR>Cast: Ljubov Tolkalina, Evgeniy Koryakovskiy, =
Dmitriy=20
                  Badmaev <BR>The successful copy-righter Tomofey and =
the=20
                  TV-star Vera would have been the =93perfect couple=94 =
created=20
                  particularly for the life-style magazines, if it was =
not for=20
                  the appearance of the handsome and dark Ulyumdzhi. The =

                  sophisticated and prospering Tomofey and the =93Mowgli =
of the=20
                  steppes=94 =96 Ulyumdzhi =96 would have been the =
=93perfect couple=94=20
                  for the gossip-provoking artistic societies, of it was =
not for=20
                  Vera who had stayed by them as she always did.=20
                  <BR><BR><STRONG>Struck by Lightning</STRONG> =
<BR>Russia / the=20
                  Netherlands / Switzerland, 2002, 35 mm, 62 min =
<BR>Directed by=20
                  Evgeniy Yufit <BR>Cast: Aleksander Maskalin, Elena =
Simonova,=20
                  Olya Semenova, Vera Novikova, Aleksander Anikeenko =
<BR>As a=20
                  real master of the St. Petersburg necro-realism =
Evgeniy Yufit=20
                  possesses the remarkable sense for expression and =
succeeds in=20
                  the masterly depiction of the Soviet mythology about =
the=20
                  aimless heroic deed. In his film =93Struck by =
Lightning=94 the=20
                  death-ness of the necro-realism erupts in undisguised =
feelings=20
                  and for the first time Yufit tells a simple human =
story: the=20
                  daughter of a high-seas captain recalls her deceased =
father.=20
                  She is an anthropologist working on a new theory about =
the=20
                  human origin. <BR>Opposing the concept of death she =
prefers=20
                  not to believe in her father=92s demise but to imagine =
that he=20
                  decided to stay on unknown island =96 Sailors=92 =
Heaven. There,=20
                  amidst the swamps, thickets, and beavers, the sailors =
are=20
                  enjoying the common manly delights, undressing =
incessantly=20
                  their striped clothing, and consigning to oblivion the =
death=20
                  herself. <BR><BR>Cine - Fantom80-00: <BR>Short films=20
                  <BR><STRONG>Metastases </STRONG><BR>1984, USSR, 16 mm, =
16 min=20
                  <BR>Directed by Igor Aleynikov <BR>If your eye tempts =
you, pop=20
                  it out the same way you unplug the TV cable! Only then =
the=20
                  incessant murders and tortures on the TV screen will =
be put to=20
                  an end. And if they do not kill, it means only one =
thing; all=20
                  of them are already dead. Life before and ante the =
apocalypses=20
                  are all the same. In the after-death sparkling of the=20
                  non-world we still has to cover the requirements of =
Civil=20
                  defense. <BR>Who will be the first to put the gas =
mask, who=20
                  will be the first to put his neck under the blade, and =
who=20
                  will be the first to feed the bees with his eyes? =
<BR>Be=20
                  prepared! Be ready! <BR>The sound of the dead voices =
endlessly=20
                  and preventively translates to those who think that =
are still=20
                  alive =96 the undeveloped people on the reel trembling =
of fear=20
                  like lambs to the slaughter. </P>
                  <P><STRONG>I Am Dying =96 So What? </STRONG><BR>1987, =
USSR, 16=20
                  mm, 15 min <BR>Directed by Aleynikov brothers <BR>The=20
                  director: =93I would like to say that when talking =
about the=20
                  reel and the cine-camera, our cinema does no need =
quality=20
                  because it is a pure formalism. Just the synchronising =
is bad.=20
                  For example, right at the moment I am saying =
something, and=20
                  the audience sees that I am wording something else, or =
they=20
                  simply do not see me. In spite all this, I am an =
optimist, we=20
                  could go along without the synchronizing, without =
sound, and=20
                  even without a reel...=94 <BR><BR><STRONG>Kibagi Hunt=20
                  </STRONG><BR>Russia, 1996, 35 mm, 15 min <BR>Directed =
by=20
                  Andrey Silvestrov and Mihail Ignatiev <BR>Cats: Mihail =

                  Ignatiev, Andrey Silvestrov, Maksim Gladkih, Andrey =
Irishkov,=20
                  Andrey Emelyanov <BR>History of hunting. Image Moscow =
in the=20
                  winter, and as usually at that time of the year you =
are=20
                  cleaning your gun. Oiling it, loading it, and go out =
to hunt.=20
                  It is a well-known fact that during the winter the =
kibag is=20
                  extremely energetic and the experienced hunter is not =
facing a=20
                  difficulty when trying to kill a couple of kibagi. =
This is the=20
                  place when you start asking yourselves =93What is =
kibag?=94 </P>
                  <P><STRONG>OFFSHORE RESERVES </STRONG><BR>Russia / =
USA, 2004,=20
                  35 mm, 15 min. <BR>Directed by =
=C0=EB=E5=EA=F1=E0=ED=E4=FA=F0 =C4=F3=EB=E5=F0=E0=E9=ED, =
=C4=E6=E5=E9=EC=E8=20
                  =C1=F0=E5=E4=F8=EE=F3 <BR>Cast: Dimitriy Troytzkiy, =
Gleb Aleynikov, John=20
                  Harrison, Oleg Haybulin, Olga Stolpovskaya<BR>Hannah =
Marker is=20
                  gravely ill. She is addicted to money. Her =
psychoanalyst=20
                  advises her to leave the United States because her =
illness=20
                  manifests only in the presence of USD. Hannah arrives =
in=20
                  Russia and becomes head of a fund that imports hen =
legs =96 a=20
                  relief from USA. Hannah is happy in Russia and one day =
tests=20
                  the legs and finds out that they are contaminated. =
She=92s been=20
                  offered a bribe =96 a million USD in cash. She is not =
able to=20
                  decline the bribe but at the same time could not go on =
living=20
                  with the thought of accepting kickbacks. <BR>Hannah=20
                  experiences a psychological transformation. She =
becomes a new=20
                  man. And after that she is not even more a human =
being=85 </P>
                  <P>Video programme <BR><BR>Video Art<BR>The Blue Soup=20
                  Programme <BR>Russia, 1996-2004, Betacam SP, 15 min.=20
                  <BR>=93Postmodernist irony=94 and postconceptual =
attitude towards=20
                  the media technologies=94 in the chosen retrospective =
of the=20
                  group. </P>
                  <P>Part 1. 1996-97: <BR>=ABCOITUS SUITE=BB <BR>=AB18 =
Seconds,=20
                  Standard Flight=BB <BR>=ABDispatcher=BB =
<BR>=ABCamouflage=BB=20
                  <BR><BR>Part 2. 1998-2001: <BR>=ABReport=BB =
<BR>=ABMUTE=BB <BR>=ABAIR=BB=20
                  <BR>=ABFine Stars=BB <BR>=ABThree Wishes=BB =
<BR>.=ABMisfortune=BB <BR>Part=20
                  3. 2002-2004: <BR>=ABPanorama=BB <BR>=ABGUTEN =
MORGEN=BB <BR>=ABAnteroom=BB=20
                  <BR>=ABGAS=BB <BR>=ABAnteroom 2=BB <BR>=ABDEPARTURE=BB =
</P>
                  <P><STRONG>Rock Music</STRONG> <BR>Russia, 2003, Mini =
DV, 7=20
                  min. 30 =F1=E5=EA. <BR>Directed by Viktor Alimpiev, =
Sergay=20
                  Vishnevskiy <BR>People are helpless in front of the=20
                  cine-camera. Their eyes, the hairs above the =
upper-lip, the=20
                  dirt under their nails, the childish roundness of the =
chin =96=20
                  all these is helpless. The faces are framed by the =
cine-camera=20
                  =96 the typical corporal outlines are destroyed like a =
brick=20
                  wall. <BR>The homeless souls are trying to come closer =
to one=20
                  another, to unite with the rhythm of life in order to =
share a=20
                  common heart, a common breath, a common pulse, a =
common fate,=20
                  a common song, which cherishes the illusion for a =
common=20
                  strength. </P>
                  <P><STRONG>Bacterium Bulgaricus Takes the Outerspace=20
                  </STRONG><BR>Russia, 2003, Betacam SP, 24 min. =
<BR>Directed by=20
                  Andrey Silvestrov, Yuriy Leiderman <BR>Cast: Yuriy =
Leiderman,=20
                  Bacterium Bulgaricus <BR>For the first time in the =
world=20
                  history Bacterium Bulgaricus takes the outer space! =
All we=20
                  know that the outer space is preserved for the most =
worthy. A=20
                  several colonies of Bacterium Bulgaricus compete for =
the title=20
                  of the first Bacterium of its kind to be an astronaut! =

                  <BR><BR><STRONG>Gymnastics of Genes =
</STRONG><BR>Russia, 2000,=20
                  VHS, 1 min. <BR>Authors: Arictarh Tchernishov, =
Vladislav=20
                  Efimov <BR>In order to be a normal man in the =
contemporary=20
                  society one has to go nuts urgently. This is the price =
for not=20
                  being an old-fashioned. One has to use all the =
developed=20
                  devices even if you do not have to. <BR>They have =
invented the=20
                  radio =96 make use of it! The TV =96 use it! Internet =
=96=20
                  immediately! They have deciphered the human genome =96 =
undergo a=20
                  change! Those of us who are no t able to go nuts on =
the spot,=20
                  should be in a madhouse! <BR>Rewrite this letter a =
hundred=20
                  times and you will be happy! </P>
                  <P><STRONG>The Black Ploughman or the Inevitability of =
the=20
                  Redemption </STRONG><BR>Russia, 2000, mini DV, 1 min.=20
                  <BR>Authors: Arictarh Tchernishov, Vladislav Efimov =
<BR>Cast:=20
                  =D2800, Arictarh Tchernishov, Vladislav Efimov <BR>The =
video is=20
                  created as a part of the Schwarzenegger=92s Monument =
Project.=20
                  <BR>The artists are examining the divine nature of the =

                  Terminator =96 the contemporary idea of right and =
wrong, and the=20
                  inter-permeation of religion and pop-culture. </P>
                  <P><STRONG>Immendo </STRONG><BR>Russia / Germany, =
2000, 35 mm,=20
                  30 min. <BR>Directed by, music, and libretto: Anton=20
                  Gonopolskiy <BR>Cast: Valentin Nikulin, Viktor Bakin, =
Vladimir=20
                  Pankov, Masha Shalaeva <BR>A parody of the sentimental =
Russian=20
                  operas from the 19 century. Feliks is a student at the =
Academy=20
                  of Fine Arts and dreams of meeting the great Imendorf. =
Olga,=20
                  Feliks=92 girlfriend falls in love with the old =
master. Feliks=20
                  goes to Imendorf=92s studio to talk about the high =
philosophical=20
                  aspects of art, and finds Olga there, who came to make =
a=20
                  declaration of love and to pose the sacramental =
question: yes=20
                  or no? The great Imendorf answers positively flattered =
by the=20
                  young lass=92 attention. <BR>Feliks has no other =
choice but to=20
                  kill both of them, fleeing away he sings quotations =
from=20
                  Imendorf=92s book about the =93terrible example of =
philistine art=94=20
                  and about people who against themselves become =
=93supporters of=20
                  the ideology of the money class=94. </P>
                  <P><STRONG>The Blue Noses Programme</STRONG> <BR>A =
video per 1=20
                  BGN 2003-2004, <BR>Russia, mini Dv, 110 min =
<BR>Authors:=20
                  Vyacheslav Mizin, Aleksander Shaburov =
<BR><BR><STRONG>A video=20
                  per 1 BGN 25 films from 2003</STRONG> <BR>25 short=20
                  performances about globalisation <BR>A studio =
recording of the=20
                  performances that the painters have showed at =
different places=20
                  during the last few years: </P>
                  <P><STRONG>If I Were Harry Potter </STRONG><BR>Author: =

                  Aleksander Shaburov (with the participation of V. =
Mizin and K.=20
                  Skotnikov) <BR>The artist Shaburov decides to compete =
with=20
                  Harry Potter and to score a victory in a duel, as well =
as to=20
                  stand against all of the world=92s problems and social =
cankers.=20
                  </P>
                  <P><STRONG>Airport-art / Airport-art - 2</STRONG> =
<BR>A series=20
                  of short videos shot at the Heathrow and Charles de =
Gaulle=20
                  airports in waiting for the next flight. </P>
                  <P><STRONG>Stage-property for a Revolution=20
                  </STRONG><BR>Authors: V. Mizin, Dimitriy Bulnigin, I.=20
                  Popovich, Konstantin Skotnikov <BR>By order of the=20
                  international puppeteers the Siberian ludittes with =
axes and=20
                  spading forks destroy the light-boxes of the =
international=20
                  trademarks and the shops for domestic appliances. </P>
                  <P><STRONG>Death of Venice</STRONG> <BR>(with the=20
                  participation of Oleg Kulik) <BR>A cine-opera about =
the=20
                  painful change of artistic generations. <BR>Moscow, =
the year=20
                  is 2006. The misfortunate painter Oleg Kulik is crying =
under=20
                  the Great Kremlin Bridge. He recalls how three years =
ago had=20
                  invited two young Siberian bustards =96 Mizin and =
Shaburov - to=20
                  take part at the Biennial in Venice. But these two are =
more=20
                  adroit in the depicting of the dogs and engage in =
zoophilia=20
                  than Kulik himself. The result is that Kulik is ruined =
and his=20
                  two proteges acquire stars on the Glory Lane, being =
hugged by=20
                  Dalai Lama, kissed by the lips of Minoca Lewinsky, and =
all=20
                  other sorts of pink cadillacs. Kulik is planning his =
revenge=85=20
                  </P>
                  <P><STRONG>SEX-ART 1, 2, 3 </STRONG><BR>(with the=20
                  participation of Dasha Hlapova, Anna Kurkina and Lisa) =
<BR>The=20
                  great director exploits the attractiveness of the =
female body=20
                  and the artists Mizin and Shaburov make a mock of this =
with a=20
                  very particular kind of cynicism. <BR><BR><STRONG>Two =
Against=20
                  the Mafia </STRONG><BR>A parody of the most popular at =
the=20
                  present mass-culture genre in Russia =96 the police TV =
series.=20
                  The heroes fight against the art-mafia that has bought =
all the=20
                  xogen, against the Chechnja terrorists who have taken =
the=20
                  Mausoleum, against the American globalists lead by the =
sheep=20
                  Dolly. Moreover they stand for Nikita Mihalkov and the =

                  prostitutes. At the end in search for the right they =
head for=20
                  the after-life. <BR><BR><STRONG>The Fall of Washington =

                  </STRONG><BR>Authorrs: Konstantin Skotnikov and =
Aleksander=20
                  Shaburov <BR>Russia frees the United States from the =
ruling=20
                  criminal regime, the Americans hail the occupation and =
by=20
                  themselves destroy the Statue of Liberty, the =
president Bush=20
                  pleads guilty the Hague Tribunal. </P>
                  <P><STRONG>Guerilla man </STRONG><BR>Author: =
=C2=FF=F7=E5=F1=EB=E0=E2 =CC=E8=E7=E8=ED=20
                  </P>
                  <P><STRONG>KIASMA-=C0=D0=D2 <BR></STRONG>Authors: =
Dimitriy Bulnigin,=20
                  Vyacheslav Mizin </P>
                  <P><STRONG>CARBONMAN <BR></STRONG>Author: Aleksander =
Shaburov=20
                  <BR>A parody of the science films. A futuristic film =
about a=20
                  world of carbon. </P>
                  <P><STRONG>Football Player =96 Accordion Player =
</STRONG><BR>NRR=20
                  (New Russian Riddles) </P>
                  <P><STRONG>Video per 1 BGN</STRONG> <BR>A compilation =
of short=20
                  videos by students participating at the New Russian =
Riddles=20
                  seminar of Mizon and Shaburov in Novosibirsk, =
Novokuznetzk,=20
                  St. Petersburg and Moscow. </P>
                  <P><STRONG>The Kansk Festival Programme <BR>The Best =
of 2004=20
                  </STRONG><BR>The International Kansk Video Festival =
holds=20
                  every year and takes place in one of the most ancient =
cities=20
                  in the Krasnoyarsk region. The competition is in the =
fields of=20
                  documentary video, animation, experimental video, =
video art=20
                  and =ABvhs-forever=BB. The Festival's award is the =
Golden Palm=20
                  Chainsaw </P>
                  <P><STRONG>NO SUBJECT</STRONG> <BR>Norway, 2002, mini =
DV, 3=20
                  min. 40 sec <BR>Directed by Margarida Paiva =
<BR>There=92s=20
                  nothing you should care for, nothing you should stand =
for, and=20
                  nothing you should think about. Then what=92s there?=20
                  =
=D1=E2=E5=F2=EE=F7=F3=E2=F1=F2=E2=E8=F2=E5=EB=ED=EE=F1=F2. </P>
                  <P><STRONG>FLOW</STRONG> <BR>Japan =96 Great Britain, =
2003, mini=20
                  DV, 3 min. <BR>Directed by Takeshi Kushida =
<BR>Digitally=20
                  zoomed combinations of a flag and a human being.=20
                  <BR><BR><STRONG>King of Fools</STRONG> <BR>Germany, =
2004, VHS,=20
                  9 min. 20 sec <BR>Directed by Olaf Encke <BR>What =
happens to=20
                  the hero who did not get the legally-belonging to him =
kiss by=20
                  the princess. He has to fight for good will =85 with =
himself=20
                  turning into various kinds of animals. What of it that =
the=20
                  hero is an ordinary toad, he is ready to look like a =
real=20
                  simpleton but to deserve at least a look from his =
Beauty. </P>
                  <P><STRONG>By the Way</STRONG> <BR>England - Germany, =
2004,=20
                  DVD, 6 min. 43 sec. <BR>Directed by Steve Coe <BR>An=20
                  intriguing and funny story about the nature of=20
                  transformations. <BR><BR><STRONG>Ilya Murometz=20
                  </STRONG><BR>Russia, 2004, DVD, 1 min. <BR>Directed by =
Maksim=20
                  Moiseev <BR>Ilya is the epic here of our time. =
Immersed for=20
                  ages in the virtual world, suddenly he understands =
that one of=20
                  the villains he is after is his own father=85=20
                  <BR><BR><STRONG>Ilya Murometz -2</STRONG> <BR>Russia, =
2004,=20
                  DVD, 30 sec. <BR>Directed by Maksim Moiseev <BR>The =
second=20
                  part of the epic saga about Ilya. The hero=92s =
conflict with the=20
                  powerful is tragically mirrored by his inner gender=20
                  contradictions and he fancies about himself as the =
Golden=20
                  Mother. What will make him take the final step? Which =
is more=20
                  real =96 the reality of the Power or the Hero=92s =
reality? This is=20
                  not just his choice but also ours. </P>
                  <P><STRONG>Precise Tuning </STRONG><BR>Russia, 2003, =
mini DV,=20
                  30 sec. <BR>Directed by Dimitriy Bulnigin =
<BR><BR><STRONG>The=20
                  Stories of Rasta the Spider</STRONG> <BR>Russia, 2004, =
cd-rom,=20
                  1 min. 30 sec. <BR>Directed by Dimitriy Bulnigin </P>
                  <P><STRONG>IKARUS - A YEARNING TO FLY</STRONG> =
<BR>Norway,=20
                  2003, DVD, 2 min. 26 sec. <BR>Directed by Eva =
Drangsholt <BR>A=20
                  middle-aged man is trying to do the impossible in the =
park.=20
                  </P>
                  <P><STRONG>MUTABOR</STRONG> <BR>Russia, DVD, 1 min. 45 =
sec.=20
                  <BR>Directed by Zer-gut Group </P>
                  <P><STRONG>POSTCARD </STRONG><BR>England, 2004, DVD, 2 =
min. 54=20
                  sec. <BR>Directed by Stuart Pound <BR>An erotic =
photography=20
                  from Paris turns into inspiration for a young person =
who looks=20
                  in the mirror. <BR><BR><STRONG>THE MUSICAL =
CHAIRS</STRONG>=20
                  <BR>Germany - India, 2002, Betacam SP, 6 min. 45 sec.=20
                  <BR>Directed by Marc Tobias Winterhagen <BR>In a =
surrealistic=20
                  way, this film shows the cruel play with children. You =
could=20
                  close your eyes and not to watch but will never forget =
this=20
                  film. </P>
                  <P><STRONG>Anfiska</STRONG> <BR>2003, VHS, 8 min. =
<BR>Directed=20
                  by Konstantin Razdorsky <BR>A film about the =
complicated=20
                  relations parents-children. Do not make your child =
choose=20
                  cruelty and make the final step! </P>
                  <P><STRONG>SARS - opera</STRONG> <BR>Moldova, 2004, =
VHS, 6=20
                  min. 30 sec. <BR>Directed by Stefan Rusu<BR>A strange=20
                  coincidence of two events in the capital of Mongolia =
=96 the=20
                  celebration of the Victory Day and the beginning of =
the=20
                  propagated by the government campaign against SARS.=20
                  <BR><BR><STRONG>The Beautiful Far</STRONG> <BR>Russia, =
2004,=20
                  DVD, 4 min. <BR>Directed by Vladimir Logutov </P>
                  <P><STRONG>WE ARE WINNING DON=92T FORGET</STRONG> =
<BR>France,=20
                  2003, mini DV, 7 min. <BR>Directed by Jean-Gabriel =
Periot=20
                  <BR>We are young and strong but not happy...=20
                  <BR><BR><STRONG>The All-Seeing Eye =
</STRONG><BR>Russia, 2003,=20
                  DVD, 11 min. <BR>Directed by Zer-gut Group <BR>A film =
shot=20
                  from on of the balconies in an Ekaterinburg suburb. =
</P>
                  <P><STRONG>Mosquito</STRONG> <BR>Switzerland, 2003, =
DVD, 2=20
                  min. <BR>Directed by Andrey Zolotuhin <BR>A short =
story about=20
                  the calm mosquito. </P>
                  <P><STRONG>Films of Victory </STRONG><BR>Russia, 2003, =
VHS, 10=20
                  min. <BR>Directed by =CE and A Flerensky =
<BR>Documentary=20
                  military films of victory with subtitles in Russian =
and other=20
                  languages. </P>
                  <P><STRONG>SYMBIOSIS</STRONG> <BR>Serbia - Montenegro, =
2004,=20
                  VHS, 2 min. <BR>Directed by Miroslav Jovic <BR>A =
sarcastic=20
                  story about the symbiosis which could be seen amonf =
people,=20
                  animals, and plants. </P>
                  <P><STRONG>FREE CIRCULATION </STRONG><BR>Unknown =
Author; 2004,=20
                  DVD, 1 min. </P>
                  <P><STRONG>Shallow Thoughts</STRONG> <BR>Russia / =
Bulgaria,=20
                  2004, DVD, 3=CE min. <BR>Authors: Ultrafuturo Group =
<BR>The=20
                  group creates a shallow blood relation between the =
epitel=20
                  cells of Bryana Ross and those of Oleg Mavromaty, and =
the=20
                  proto-bacterium Microfossil Earth, which is the next =
step of=20
                  the evolution of the hymeric organisms. </P>
                  <P><STRONG>Cine-Fantom: Conception Against=20
                  Formalism</STRONG><BR>History of Nikolay Beryozkin=92s =

                  Love<BR>Russia, 1994, Betacam SP, 23 min. <BR>Directed =
by=20
                  Aleynikov brothers <BR>A love story based on the =
pictures by=20
                  Oleg Golossya. <BR><BR><STRONG>The Constructor as a =
Young=20
                  Man</STRONG> <BR>Russia, 1995, VHS, SVHS, Betacam, 25 =
min.=20
                  <BR>Directed by Aleksander Dulerayn, Dimitriy =
Troitzkiy=20
                  <BR>Cast: Aleksander Dulerayn, Dimitriy Troitzkiy, =
Inna=20
                  Kolossova, Boris Yuhanov <BR>About the similarities in =
the=20
                  professions of the avio-constructor and the director, =
the=20
                  pilot and the actor. About the flights of the stage=20
                  inspiration and the fall of the working table. The =
film is=20
                  based on the documentary shot during the rehearsal of =
=93The=20
                  Constructor as a Young Man=94 (1992-94) at the =
Individual=20
                  Direction Workshop. </P>
                  <P><STRONG>Ten Commandments</STRONG> <BR>Russia, 2000, =
Betacam=20
                  SP, 12 min. <BR>Directed by Andrey Silvestrov, Pavel =
Labazov=20
                  <BR>Music by Andrey Doynikov <BR>Cast: Andrey Irishkov =
(Glyuk)=20
                  <BR>The =93Ten Commandments=94 is created as a part of =
the video=20
                  of the music project =93Matthaus Passion =96 2000=94 =
where the=20
                  Russian composers rewrite the famous Bach=92s work. =
God-Father=20
                  shows the culture-enlightening show =93Ten =
Commandments=94.=20
                  =C0=E3=E8=F2=E0=F6=E8=FF =EE=F2 =
=ED=E5=E1=E5=F1=ED=E8=F2=E5 =EE=E1=E8=F2=E0=EB=E8=F9=E0! Better go and =
see it before=20
                  the Last Judgment Day! </P>
                  <P><STRONG>Dzenboxing</STRONG> <BR>Russia, 1998, =
Betacam SP,=20
                  56 min. <BR>Directed by Gleb Aleynikov, Aleksander =
Dulerayn=20
                  <BR>Cast: T. Adzhikarimov, I. Ileynikov, I. =
Apeksimova, O.=20
                  Drozdova, E. Koreneva, D. Pevtzov, A. Silvestrov, N. =
Solovov,=20
                  D. Troitzkiy, O. Haybulin, G. Aleynikov, A. Dulerayn, =
B.=20
                  Yuhanov <BR>The TV-specialist=92s work is full of =
=F0=E5=E9=F2=E8=ED=E3=E8 talk=20
                  shows, sinologists and TV-viewers-idiots, longed =
interactive=20
                  and publicities, evil bosses and good kick boxers =96 =
about the=20
                  games in classicism, games of pearls and dzenboxing. =
</P>
                  <P><STRONG>Two Equators</STRONG> <BR>Russia, 2001, =
Betacam SP,=20
                  13 min. <BR>Directed by: L. Kabankova, G. Dikert =
<BR>There is=20
                  no event in the world that is on its own. You start =
examining=20
                  a certain event, explain another, and end with results =

                  concerning a third one. Per example the trams. What is =
known=20
                  about this kind of transport and what is hidden in its =
story?=20
                  </P>
                  <P><STRONG>Ghostly Hope</STRONG> <BR>Russia, 1999, =
Betacam SP,=20
                  22 min. <BR>Directed by Andrey Silvestrov, Pavel =
Labazov=20
                  <BR>The film is about the secrets of the birth and the =
unknown=20
                  deeds of the great Russian general and guru Aleksander =
V.=20
                  Suvorov. </P>
                  <P><STRONG>Yes, Down or on the March for Golden =
Birds</STRONG>=20
                  <BR>Russia, 1997, Betacam SP, 110 min. <BR>Directed by =
Boris=20
                  Yuhanov <BR>This film is a part of the great cultural =
project=20
                  of Boris Yuhanov =93The Downs Comment the World=94. =
<BR>With a=20
                  mike, and looking at the cine-camera as if it is a =
real=20
                  creature that needs warmth and compassion, the Downs =
=96 Sasha,=20
                  Misha, and Lyosha think about the TV, as they see it =
and as we=20
                  will never be able to see it. The Downs play on TV: =
they make=20
                  and give interviews, prepare reports from the reserve =
of their=20
                  own souls. The report turns in a confession, the =
confession=20
                  into a talk show. The Downs get angry with one =
another, make=20
                  peace, fall in love, lose their friendship =96 all =
this lasts a=20
                  century, a century not longer than a minute, a minute =
longer=20
                  than a life time. During all the time the director is =
there=20
                  with his demiurge smile, his puppeteer hands and his =
strange=20
                  desire to become a Down and to earn the right to =
comment the=20
                  world. </P>
                  <P><STRONG>Winter - Spring</STRONG> <BR>Directed by =
Alksander=20
                  Zeldovitch <BR>Russia, 2004, DV, 52 min. <BR>Cast: =
Aleksander=20
                  Anurov, Alisa Grebenshikova, Irina Grineva, Polina =
Kutepova,=20
                  Anastasia Medvedeva, Maria Mironova, Olesya =
Potashinskaya,=20
                  Elena Radzinskaya, Elena Strizhakova, Viktoria =
Tolstoganova=20
                  <BR>He rents a big apartment downtown with a nurse and =
wheel=20
                  chair, and puts near it Joyce=92s =93Ulisses=94. Then =
posts the=20
                  following =93 A 45-year-old bachelor, intelligent, =
wealthy=20
                  (apartment in Moscow, villa in the suburbs of the =
city,=20
                  properties around Europe, etc.) Lethal decease (heart) =
looks=20
                  for a partner for the rest of his life. Would bequeath =
all his=20
                  property. Tel.: 505-2871" <BR>How much and what would =
be the=20
                  rivals for his heart and property? </P>
                  <P><STRONG>Draft</STRONG> <BR>Russia, 2003, DV, 23 =
min.=20
                  <BR>Directed by Inna Kolossova, Maria Yuhanova <BR>A =
novel=92s=20
                  draft, its pages are covered with women=92s tears. =
</P>
                  <P><STRONG>Films by Evgeniy Kandratiev =
</STRONG><BR>Evgeniy=20
                  Kondratiev is an Idiot, he=92s the Enfant Terrible of =
the=20
                  parallel cinema, the St. Petersburg Black Pearl. =
Started=20
                  working with the St. Petersburg necro-realists, =
participated=20
                  in the films of the Moscow conceptualists, and created =
the=20
                  inexplicable =93wild=94 cinema. The Human speech =
prefers the=20
                  cinema language, and the cinema language =96 its own =
scratches=20
                  creating films right upon the reel. It is quite =
probable that=20
                  thinking you have seen a Kandratiev film would appear =
a mere=20
                  delusion. </P>
                  <P><STRONG>Eleven films by E. Kondratiev from 1985 to =
1998.=20
                  <BR></STRONG>Educational Cinema. Horizontal =
Primitivism, 1988,=20
                  16 mm, 10 min. <BR>Labour and Hunger, 1985, 16 mm, 5 =
min.=20
                  <BR>Nanaynana 1985, 16 mm, 8 min. <BR>GAkey =
Commet1986, 16 mm,=20
                  5 min. <BR>Follower of Olfa, 1987, 16 mm, 5 min. =
<BR>That=20
                  Happened by the River, 1991, 16 mm, 10 min. <BR>The =
Drops Rest=20
                  on the Trees, 1990, 16 mm, 12 min. <BR>Hail to the New =
Year,=20
                  1998, 16 mm, 10 min. <BR>Motherland=92s Voice, 1997, =
16 mm, 14=20
                  min. <BR>Stone Wind, 1995, 16 mm, 20 min. <BR>Maksim=20
                  Maksimich, 1995, 16 mm, 20 min. </P>
                  <P>The Authors </P>
                  <P>Igor and Gleb Alynikov <BR>Igor Aleynikov was born =
in 1962,=20
                  graduated at the Moscow Technical Institute. Gleb =
Aleynikov=20
                  was born in 1966, graduated at the Moscow Technical =
Institute.=20
                  Begun their artistic life within the Moscow =
conceptualism.=20
                  Co-founder of the Parallel Cinema Movement. The films=20
                  =93Metastases=94 (1984), =93The Tractor=94 (1987), =
=93Cruel Male=20
                  Disease=94 (1987), =93Post-political Cinema=94 (1988), =
=93Tchergid=92s=20
                  Terrible Secret=94 (1988), etc are classics pf the =
experimental=20
                  cinema. In 1992 they made the film =93Tractor-drivers =
2=94 within=20
                  the official cinema system. Igor Alynikov died in =
March 1994.=20
                  Gleb found the Cine-Fantom club. </P>
                  <P>Viktor Alimpiev <BR>Born in Moscow in 1973. =
Educated at the=20
                  Moscow Art School in Memory of 1905. Author of the =
films: =93A=20
                  Few Presents for Oleg=94 (1998), =93Telegtaph=94 =
(1998), =93I Abandon=20
                  the Earth=94 (with Vushnevsky, 1999), =93Is That =
You=94 (2000),=20
                  =93Subscribers=94 (with O. Stolpovskaya 2000, and won =
the Second=20
                  prize at the Media Forum of the Moscow Cinema =
Festival), =93I=20
                  Brought You Flowers=94 and =93Deer=94 (with =
Vushnevsky, 2002), =93Ode=94=20
                  (with M. Zhunin, 2002), =93Rock Music=94 (with =
Vushnevsky 2003,=20
                  won the special prize at the Short Shock Competition =
at the=20
                  Cinemashock Festival in Russia). </P>
                  <P>Sergey Vishnevsky <BR>Born in Moscow in 1969. =
Educated at=20
                  the Moscow Art School in Memory of 1905, finished the =
=93New Art=20
                  Strategies=94 course at the Soros Centre Moscow The =
better part=20
                  of his films are created in co-authorship with Viktor=20
                  Alimpiev. </P>
                  <P>Olga Stolpovskaya <BR>Born in Moscow in 1969. =
Graduated at=20
                  the Moscow Art State School in 1986, and in 1997 the=20
                  Individual Directorship Studio. As an independent =
director=20
                  created a few mirco-films, as well as short films and =
video=20
                  installations. Her film =93Trail Against Brunner=94 is =
at the=20
                  Contemporary Art Museum in New York. With Dimitriy =
Troitzky=20
                  established Malevic Production Studio. =93I Love =
You=94 is her=20
                  first full-length film in co-authorship with Troitzky. =
</P>
                  <P>Dmitriy Troitzky <BR>Born in Moscow, 1971, theatre =
and film=20
                  director, producer, 1992 graduated the Lomonosov =
Moscow State=20
                  University, 1997 the Individual Directorship Studio =
under the=20
                  guidance of Professor Boris Yuhananov, founded the =
Mu-seum=20
                  Group, which has over 50 performances and actions, one =
of the=20
                  co-founders of the CINE FANTOM Club and Good Movies. =
Since=20
                  1999 he is a TV-producer. Agency. Co-works with Olga=20
                  Stolpovskaya, together they have founded the Malevic=20
                  Production Studio. </P>
                  <P>Jamie Bradshow <BR>Born in Nashville, Tennessee, =
USA,=20
                  graduated at the Vassar College, where he attended =
Russian=20
                  Cultura and Language Course. Arrived in Russia to =
study=20
                  theatre and cinema. Collaborates with the Cine-Fantom =
studio,=20
                  and mounts the Dulerayn and Koryakin film =93Ivan the =
Idiot=94=20
                  (2001), author of a series of short experimental films =
=934=20
                  Postcards For Milla K.=94. Lives and works in the =
United States,=20
                  creative director pfIgnition Creative, made the =
trailers of=20
                  =94Spiderman=94, =93Panic Room=94, =93Kill Bill=94, =
continues shooting=20
                  independent cinema =93Offshore Reserves=94, with. =
Dulerayn, 2004.=20
                  </P>
                  <P>Anton Gonopolsky <BR>Born in Alma-Ata, Kazakhstan, =
1974.=20
                  Graduated at the Art Academy Dusseldorf in 1998. Wrote =
the=20
                  operas =93Immedo=94 and =93The Fifth Season=94, =
directed the films=20
                  =93Alder=94 (1999), =93Three and a half octaves=94 =
(2002), composed=20
                  film scores, and shot film-operas =93Immendo=94, 2000 =
and =93A Trip=20
                  to Kazan=94, 2002 </P>
                  <P>Grigoriy Dikkert <BR>Born in 1975, in 2002 =
graduated at the=20
                  TV and Radio Institute. Director of video clips, and=20
                  independent films, and documentaries: =93Cognac Day =
Blues=94,1998;=20
                  =93Fever=94, 1998; =93Trudno kohach=94, 1999; =
=93Thieves=94, 2000. Works=20
                  in cooperation with Lenka Kabankova. </P>
                  <P>Lenka KIabankova<BR>Born in 1979, graduated at the =
TV and=20
                  Radio Institute. Works at Bolshoi Theatre, and at the =
TV as=20
                  journalist and producer. Together with Gregoriy =
Dikkert shot=20
                  two short films =93Two Equators=94 (2001) =E8 =
=93Film-Happiness=20
                  (2002), the last one participated at the Stick, =
Deboshir and=20
                  Kansk Festivals. </P>
                  <P>Aleksander Dulerayn<BR>Born in Grozni, 1966, lives =
and=20
                  works in Moscow, completed the Individual Directorship =
Studio,=20
                  specialization at the New York Cinema Academy, theatre =
and=20
                  film producer, director of "Ivan the Idiot". Author of =
the=20
                  short films =93Country House Owners=94 (1991, with S. =
Koryagin,=20
                  first prize at the International Short Films Festival, =

                  Hamburg, 1995), =93Wish for Watching Fassbinder =
Film=94 (1993,=20
                  with S. Koryagin, special prize of the New York Film =
Academy,=20
                  1995), =93The Constructor as a Young Man=94 (1995, =
with D.=20
                  Troitzky, in the Cine-Fantom Programme at the New York =
Film=20
                  Archives in1998 and at the Russian Film Festival, New =
York=20
                  1999), =93Dzenboxing=94 (1997, with G. Aleynikov), =
=ABOffshore=20
                  Reserves=BB (2004, with J. Bradshaw). In 2001 =
premiered his=20
                  first fukk-length film =93Ivan the Idiot=94. </P>
                  <P>Aleksander Zeldovich <BR>Born in Moscow, 1958; =
graduated at=20
                  the MSU in psychology, 1980; higher courses for =
directors and=20
                  script-writers at GOSKINO, USSR. Author of =
=93Sunset=94 (1990),=20
                  =93Moscow=94 (2000), =93Process=94 (documentary, =
2002), =93Winter =96=20
                  Spring=94 (2004). His films participated at the =
festivals in=20
                  Berlin, San Francisco, Venice, Munich, Moscow, etc. =
</P>
                  <P>Mihail Ignatiev <BR>Born in Moscow, 1975; took part =
in the=20
                  Individual Directorship Studio, graduated at the =
faculty of=20
                  Cinema and TV directing, at the Academy of Media Arts, =

                  Cologne. Works at the VideoDOM studio. Author of the =
scripts=20
                  and director of short films(Kibagi Hunt=94, 1996; and =
=93Fate=94,=20
                  with A, Silvestrov, 1997; =93Manifest=94, 1999; =
=93Monique Blume,=20
                  2003: =93The Dog is Lost, 2004) </P>
                  <P>Inna Kolossova <BR>Born in Kiev, 1968, lives and =
works in=20
                  Moscow, educated at the Mathematics and Cybernetics =
Faculty at=20
                  the Moscow State University and the Individual =
Directorship=20
                  Studio, theatre and film director, leading actress in =
"Ivan=20
                  the Idiot". </P>
                  <P>Evgeniy Kondratiev <BR>Born in Ryabinsk, 1959, from =
1996=20
                  lives and works Berlin, cinema director, from 1984 to =
1987=20
                  member of the necrorealism group Mazhalalafilm, =
created more=20
                  than 20 films. Since 1966 lives and works in Berlin. =
His films=20
                  are classics of the international experimental cinema =
=93Assa=94,=20
                  1984, =93Labour and Hunger=94, 1985, =93Nanaynana=94, =
1985, =93Dreams=94,=20
                  1988. </P>
                  <P>Pavel Labazov<BR>Born in Moscow, 1973. dgraduated =
at the=20
                  MSU, member of the =93ART-blja=94 group. His fuilms =
participated=20
                  at the Cinemashock, 2001-2002, Russia; Vallecas Puerta =
del=20
                  Cine, 2001-2002, Spain; =93DreamCatcher=94, 2002, =
Ukraine;2001,=20
                  Austia; =93deboshir=94, 2000, Russia), awarded a =
diploma at the=20
                  student and debut films competition =93St. Anna=94 =
(2000, Russia).=20
                  With his permanent co-author A. Silvestrov works at =
the=20
                  theatre: video-director at Bolshoi Theatre (operas =
=93Snowwhite=94=20
                  and =93Mazeppa=94. Author of the video decorations of =
the=20
                  =93Matthaus Passion=94 performance, 2000. Art director =
of the=20
                  VideoDOM studio. Holds every year the annual=20
                  KanskInternational Festival since 2002. </P>
                  <P>Yuriy Leidermann <BR>Born in Odessa, 1963. =
Representative=20
                  of the Moscow conceptualism, member of the =
Medgermenevtika=20
                  group. Since 1982 has taken part in unofficial =
exhibitions in=20
                  Moscow and Odessa. Participated the Biennial in =
Venice,=20
                  Manifesta, Rotterdam (1996). Wrote the books =94Best =
and Most=20
                  Suspicious=94 (1991) and =ABLa route Jura - Paris=BB =
(1995). </P>
                  <P>Renata Litvinova <BR>Born in Moscow, 1967, =
graduated at the=20
                  Script-writers faculty, in 1989. She is one of the =
most famous=20
                  Russian script-writers. Hers are the scenario for =
=93Non-love=94=20
                  (1991, dir. V. Rubinchik), =93Tractor-drivers2=94 =
(1992, dir.=20
                  Aleynikiv brothers), =93Three Stories (1997, dir. K. =
Muratova),=20
                  =93Sky. Plane. Girl=94 (2002, dir. V. Storozheva) etc. =
Since 1994=20
                  she has been an actress, took part in =93Three =
stories=94, =93Vocal=20
                  Parallels=94, =93Stringer=94; she was awarded the =
title laureate of=20
                  the Russian State Prize for her part in the =
=93Border=94 film. In=20
                  2000 she debuted as a director of the documentary =
=93There=92s no=20
                  Death for Me=94. The film =93Goddess=94 is her debut =
as a director=20
                  of a feature film. </P>
                  <P>Andrey Silvestrov <BR>Born in Moscow, 1972, =
director, more=20
                  than 15 movies featured at festivals in Moscow, Kiev, =
Vienna,=20
                  Berlin, New York, Madrid, London, Brussels, Saint =
Petersburg.=20
                  Works for the theatre and cinema, co-founder of the =
VideoDOM=20
                  studio, and an honorary president of the Kansk =
festival. </P>
                  <P>The Blue Noses Group <BR>The group appeared in 1991 =
in=20
                  Novosibirsk as a project of the Siberian painters =
Vyacheslav=20
                  Mizin and Aleksander Shaburov, later they are joined =
by=20
                  Dimitriy Bulnigin andKonstantin Skotnikov. Their =
object is to=20
                  make populist cinema, which is: <BR>1. Interesting not =
only to=20
                  the =93international context=94 but also for everyone; =
<BR>2.=20
                  Based on simple and even primitive technologies. =
<BR>3.=20
                  Denouncing the illusions of mass-advertisement and =
propaganda.=20
                  Which scare or deceive people. </P>
                  <P>The Bluesoup <BR>The group is established in 1996 =
with=20
                  Aleksey Dobrov, Daniyl Lebedev, Valeriy Patkonen, =
after 1998=20
                  its activities are carried out by Dobrov, Lebedev, and =

                  Lobanov. The video projects =93For Ever in the Wake of =
the Sun=94=20
                  (1998) and =93Air=94 (1999) won awards at =
international=20
                  exhibitions. Certain works of the group became part pf =
the=20
                  Anthology of Russian Video Art as classics. </P>
                  <P>Ultrafuturo (Bulgaria/Russia) <BR>The group was =
established=20
                  on May 1st, 2004 and based on the film union =
SUPERNOVA. Its=20
                  activities are connected with the various=20
                  ethic/cultural/technological aspects in the =
relationship=20
                  between people and robots in contemporary society. The =
group=20
                  fights against the human beings=92 discrimination =
towards the=20
                  robots and for the development of a symbiosis between =
people=20
                  and thinking machines. Ultrafuturo works in the field =
of=20
                  bio-art and propagates the new trend in art called=20
                  Utrafuturism (radical transhumanism). This trend is =
the one=20
                  and only tendency developed in Bulgaria. The group =
consists of=20
                  Boryana Rossa, Oleg Mavromary, Anton Terziev, Katya =
Damyanova,=20
                  and Miroslav Dimitrov. Its internet projects and =
oerformances=20
                  are featured in the Centre for Contemporary Arts, =
Banja=20
                  Starinna, Plodiv, BEAP, Pert, Australia, CINEFANTOM, =
Moscow.=20
                  The laso project is in cooperation with SymbioticA =
Research=20
                  Lab, Australia. </P>
                  <P>Ilya Hrzhanoskiy <BR>Born in Moscow 1975, son of =
the great=20
                  Russian cartoonist Andrey Hrzhanovskiy, studied at the =
Art=20
                  Academy in Bonn. His film =934=94 is his debut in the =
cinema, and=20
                  was featured at the Venice Festival (2004). </P>
                  <P>Chernishov &amp; Efimov <BR>Aristarh Chernishov was =
born in=20
                  Voroshilovgrad, 1968; graduated at the MSTU, =
scholarship=20
                  student of the Berlin Art Academy. Vyacheslav Efimov =
was born=20
                  on Moscow, 1964, graduated at the Moscow Institute of=20
                  Mechanics, he is a scholarship student of the Berlin =
Art=20
                  Academy, too (1995/96). They have been working =
together since=20
                  1996 in the field of installations, comparing the =
different=20
                  models of artistic perception of the world. All of =
their works=20
                  are masked as entertainments. </P>
                  <P>Evgeniy Yufit <BR>Born in Leningrad in 1961. From =
the 1980s=20
                  participates in exhibitions in the country and abroad. =
In 1984=20
                  he established the independent studio MZHALALAFILM =
teaming up=20
                  painters, writers and directors sympathizing with the =
radical=20
                  cinematographic experiment. He created a number of =
films=20
                  already classics of the Petersburg experimental =
cinema.=20
                  Founder of Necrorealism movement. Leader of the =
Petersburg=20
                  School of =93parallel cinema=94. Participates as =
photographer and=20
                  painter in all major exhibitions of the Soviet and =
Russian art=20
                  in the 80s and 90s. Retrospectives are shown at the =
Modern Art=20
                  Museum, New York, at the Archive Films Anthology, New =
York,=20
                  and the St. Petersburg University. </P>
                  <P>Boris Yuhanov <BR>Born in Moscow 1957, educated at =
the=20
                  Voronezh Theatre Institute and GITIS, in 1984 founder =
of the=20
                  first independent theatre group "Taerur =96 teator. He =
is one of=20
                  the first artists who started shooting video in USSR. =
Creates=20
                  the myths of the video nature in his theoretical =
articles=20
                  dedicated to his own discovery the =93slow video=94. =
Following the=20
                  laws of this =93slow video=94 he made classics of the =
=93parallel=20
                  cinema=94 =96 =93Game of Ho=94, 1987; =93The Mad =
Prince Fassbinder=94,=20
                  1988; etc. In 1988 created and guided the Individual=20
                  Directorship Studio (now part of the Russian Theatre =
Academy),=20
                  director of the "Marat/Sade", "Faust", "Sunflowers". =
One of=20
                  the most prominent Russian theatre directors. In his=20
                  performance =93Garden=94 Yuhanov not only uses =
professional=20
                  actors, but non-professionals, and also with persons =
with Down=20
                  syndrome. </P>
                  <P> </P>
                  <P> </P>
                  =
<P>&nbsp;</P></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE></TD></T=
R></TBODY></TABLE></BODY></HTML>

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------=_NextPart_000_015D_01C72C00.C6C88280--
